By Jason Fortner

Each month, Jason Fortner spotlights one or more musical theatre composers and/or lyricists, offering his own unique perspective on the songwriting legends of musical theatre. Send your comments/questions on this column to happgood@aol.com.

To access past Songwriters columns, click on the Songwriters archive link to the left.

July 2007

"On The Street Where You Sing"


Summertime is a time for traveling, and as we traverse the many highways and byways of the world this summer I got to thinking about streets, more specifically show tunes about streets, roads and other thoroughfares. So travel with me now as we take a little journey down the many roads of show tunes…

Our column title comes from Alan Jay Lerner & Frederick Loewe's MY FAIR LADY, in which the street Freddy sings about is Wimpole Street in London, more precisely Number 27-A. The opening number of ROBERT & ELIZABETH, a 1964 London musical about the Elizabeth Barrett & Robert Browning courtship, elopement & marriage also takes place on Wimpole Street, setting up the environment for the biographical tale. The score for ROBERT & ELIZABETH is by Ron Grainer & Ronald Miller and has yet to be produced on Broadway. While still in 19th Century London, we can't forget to visit BAKER STREET, the title and location for the Sherlock Holmes musical by Marian Grudeff & Raymond Jessel. As all good sleuths know, Mr. Holmes lived at 221 B Baker Street and was ably assisted there by Dr. Watson.


Bobby Clark, Lou Costello and Bud Abbott in STREETS OF PARIS
Source: Aaron Nethery.com

Crossing the English Channel we might traverse the "Champs-Elysees" in Paris, also the title of a French pop song by Joe Dassin, that once you've heard it, never leaves your head. Of course there have been lots of songs about the streets of Paris, and even a show, STREETS OF PARIS, produced by Mike Todd in 1940 for the New York World's Fair and starring Gypsy Rose Lee with Abbott & Costello.

Speaking of New York, its colorful streets have proved inspiration for many a show tune. Irving Berlin invited one and all to go "Slumming On Park Avenue" in the film ON THE AVENUE while in the song "Easter Parade" he proposed that we take a stroll "on the avenue, Fifth Avenue… The photographers will snap us, and you'll find that you're in the rotogravure". The musical JIMMY, a 1970 Broadway flop about Mayor Jimmy Walker, featured a catchy tune called "Riverside Drive", but that song alone couldn't make it a hit. In HAZEL FLAGG we learned that "Ev'ry Street's A Boulevard in Old New York", as written by Jule Styne & Bob Hilliard. Anyone who has ever seen WONDERFUL TOWN knows that the opening number is "Christopher Street", a comic travelogue as created by Bernstein, Comden & Green while fans of FUNNY GIRL know that Bob Merrill & Jule Styne celebrated the joys of "Henry Street" in song.


John Tartaglia and Stephanie D'Abruzzo in AVENUE Q
Photo by Carol Rosegg
Source: Playbill.com

The human & puppet musical AVENUE Q lovingly spoofs SESAME STREET and modern New York living, with a score by Robert Lopez & Jeff Marx. The Jerry Herman/Michael Stewart musical HELLO, DOLLY! makes many references to New York's 14th Street, including a lyric in the title song and ending Act One with the 14th Street Association Parade. Of course, the most famous numerical street in Manhattan is 42nd STREET, made famous by the Al Dubin & Harry Warren song, featured in the Busby Berkeley film and the Gower Champion stage musical.

While still discussing New York thoroughfares we can't ignore Broadway, a street named in hundreds of show tunes. From George M. Cohan's "Give My Regards To Broadway" from LITTLE JOHNNY JONES to the pop song "On Broadway", featured in SMOKEY JOE'S CAFÉ, Broadway is mentioned again and again. Sondheim created "Broadway Baby" for FOLLIES, Kander & Ebb penned "Broadway, My Street" for 70, GIRLS, 70, while songs like "Babes On Broadway", "Broadway Rhythm" and "45 Minutes From Broadway" are only the tip of the iceberg and Broadway will remain an inspiration.


Lea Salonga and Jose Llana in FLOWER DRUM SONG
Source:  Jose Llana.com

Other streets that inspire show tunes include "Grant Avenue", a rousing number celebrating San Francisco's Chinatown, penned by Rodgers & Hammerstein for FLOWER DRUM SONG. Bernstein & Lerner titled their 1976 White House epic 1600 PENNSYLVANIA AVE, but there was no title tune while Jazz aficionados know famous streets in varied locales with songs like Basin Street Blues (New Orleans), Beale Street Blues (Memphis) and the South Rampart Street Parade (New Orleans). And who can forget the title songs to the Bing Crosby/Bob Hope/Dorothy Lamour "Road" pictures, where one could find themselves on the "Road to Morocco" or the "Road To Hong Kong", among others.


Judy Garland in THE WIZARD OF OZ
Source:
Yahoo.com

Of course, not every street needs a name in their song. Benjamin Stone laments "The Road You Didn't Take" in FOLLIES while lyricist Dorothy Fields (paired with composer Jimmy McHugh) told us that "life can be so sweet" on "The Sunny Side of The Street". In 1947, Kurt Weill composed a score for STREET SCENE with lyrics by Langston Hughes and Jones & Schmidt wrote a musical called ROADSIDE. In THE WIZARD OF OZ we are encouraged to "Follow The Yellow Brick Road" while in THE WIZ we are invited to "Ease On Down The Road" instead. Country singer Willie Nelson took us "On The Road Again" while Mel Torme & Lucille Ball celebrated "Main Street USA" on her series, THE LUCY SHOW.

Finally, I'll close this look at show tune roads with some directions… These are from the opening number of the Albert Hague/Arnold Horwitt musical PLAIN & FANCY, in which two New Yorkers are lost in Amish country, seeking a little town called Bird In Hand… Enjoy!

MAN 2: PASS THE SECOND TRAFFIC LIGHT
YOU'LL SEE A BARN THAT'S BIG AND WHITE
TAKE THE HIGHWAY TO THE RIGHT
YOU CAN'T MISS IT!

JUST KEEP GOING TILL YOU SEE
NEAR A CORNER GROCERY
THERE'S A ROAD MARKED 203
YOU CAN'T MISS IT

PRETTY SOON THERE COMES A FORK IN THE ROAD LIKE THIS!
GO LEFT THEN RIGHT THEN LEFT THEN RIGHT!
IT YOU CAN'T MISS!

THEN YOU GO STRAIGHT AHEAD UNTIL YOU LAND
BY A FROZEN CUSTARD STAND

DAN: AND AFTER THAT COMES BIRD-IN-HAND?

ALL: YOU CAN'T MISS IT!

GIRL 2: THERE'S A SHORTCUT NO ONE KNOWS ABOUT
DOWN A BACK ROAD NO ONE USES
PAST A GATE HOUSE NO ONE'S LIVIN' IN
CROSS A DRAWBRIDGE OUT OF ORDER
BY THE LONG WAY TAKES AN HOUR
THIS WILL CUT OFF NEAR A THIRD OF IT…

RUTH: AND THAT LEADS US IN TO BIRD IN HAND?

GIRL 2: BIRD IN HAND? I NEVER HEARD OF IT!