January 2009
"What's New?"
What's new?
How is the world treating you?
You haven't changed a bit,
Handsome as ever I must admit.
What's new?
How did that romance come through?
We haven't met since then,
Gee, but it's nice to see you again.
This timeless classic, written back in 1939 by Johnny Burke and Bob Haggart,
is celebrating its 70th anniversary this year and I thought it would make a nice
opening. As we enter 2009, I decided a look at songs about new things might be
apropos, especially in light of all the politicking this past year about
"change".

Liza Minnelli in the original
production of FLORA THE RED MENACE
Photo by Friedman-Abeles
Source:
Playbill.com |
As everyone knows, transitions are inevitable in the world, and in song
lyrics they are a staple. Whether it's a would be Communist singing "the winds
of change are blowing" in John Kander & Fred Ebb's FLORA, THE RED MENACE, a dead
pilot looking for a "Second Chance" in STEEL PIER, revolutionaries singing of
their fight in shows like LES MISERABLES or OH, BROTHER!, the factory girls
protesting "Unfair" labor standards in Jerry Bock & Sheldon Harnick's FIORELLO!
or the "other" kind of working girls lamenting "Reform" in Bock & Harnick's
TENDERLOIN, the idea of newness and change has often inspired songwriters.
Composer/Lyricist William Finn took all angles of the word "change" and
created a driving plea for the "Homeless Woman" character in A NEW BRAIN. Her
number, performed in the aisles of the audience at Lincoln Center, was both
pleasing and unsettling. Here are the lyrics:
Pennies or nickels or dimes,
We live in perilous times.
I don't ask you to treat me nice.
I'm not askin' for pleasant conversation.
I'm not askin' for paradise.
All I'm askin' for is change.
Hate me, but don't kick my shins.
I'm where your kindness begins.
Please folks, do not spend time with me.
I don't ask to treat me like your mother.
I'm not askin' for sympathy.
All I'm askin' for is change!
Change the government, kill the mayor.
It's not fair how lives evaporate.
Change the system that made us what we are.
I don't ask for hugs,
Just need money to buy more drugs,
And if you folks pay
I'll go away.
People walk by me with glee.
I am what they'll never be.
I don't ask you to tip your hat.
I don't ask that you notice what I'm wearing.
I could care less for things like that.
All I'm asking for is change!
Change!
Change!
Change!
Pennies or nickels or dimes,
We live in perilous times!
[With a lot of cleaned up lyrics, Barack Obama's people could have used this
as a campaign song, and knowing William Finn's disdain for Republicans, I'm sure
he would have happily lent a hand. ]
Of course, not every song about new things is a political statement,
sometimes it's a lot lighter. Betty Comden & Adolph Green, partnered with Jule
Styne, created a silly parody of a juke box hit in DO RE MI with the goofy
"What's New At The Zoo?". Here are those immortal lyrics:
Ouch! You're steppin' on my pouch
To the bear said the kangaroo.
Oh! You're steppin' on my toe
Said the kangaroo to the gnu.
Unk! You're steppin' on my trunk
To the gnu said the elephant
The seal flipped his flippers
Swallowed several kippers
Then they all began to chant:
Let us out! Let us out! Let us out! Let us out!
The zoo is overloaded.
Let us out! Let us out! Let us out! Let us out!
The population has exploded!
Eek! You're steppin' on my beak
Said the pelican to the moose.
Watch out! You're steppin' on my snout
Said the moose to the honking goose.
Weck! You're steppin' on my neck
Said the goose to the tall giraffe.
Ouch! My pouch! Oh! My toe!
Unk! Eek! Ow! Oh! Ooh!
That's what is new at the zoo!
It goes on but I shall spare you the rest of the menagerie. When people
aren't asking about zoological conditions, their queries about new things can be
more personal.
In Maury Yeston's IN THE BEGINNING, a parent sings of the "New Words" their
child is learning while in Larry Grossman & Ellen Fitzhugh's score to GRIND, Ben
Vereen sang of becoming "A New Man" with flair and panache. (And if you want
something South of the Border, you can ask for "A New Argentina" in Lloyd Webber
& Rice's score to EVITA.)
In A TREE GROWS IN BROOKLYN, Dorothy Fields penned the lyric "I'm Like A New
Broom", promoting a clean sweep personality makeover.
Kurt Weill & Ira Gershwin penned a tune entitled "This Is New" for their epic
score to LADY IN THE DARK while in SUNSET BOULEVARD the characters seek out "New
Ways To Dream", with music by Lord Lloyd Webber and lyrics by Don Black &
Christopher Hampton. Here's part of that lyric:

Glenn Close & Alan Campbell in the original Broadway
production of SUNSET BOULEVARD.
Source:
Andrew Lloyd Webber.com |
This was dawn
There were no rules
We were so young
Movies were born
So many songs
Yet to be sung
So many roads
Still unexplored
We gave the world
New ways to dream
Somehow we found
New ways to dream
In Flaherty & Ahrens score to RAGTIME, characters were introduced to "New
Music" while in the Ashman & Menken score to the Disney film ALADDIN, the
characters experience "A Whole New World" while riding on a magic carpet. (The
ill-fated vampire musical LESTAT had a tune called "Welcome To The New World"
but it was heard by very few.)
While on our "new" kick, Laurey sang of "Many A New Day" in OKLAHOMA! while
Mame Dennis told Patrick to "Open A New Window" in MAME, both to great effect
thanks to Rodgers, Hammerstein & Herman.
Even Steve Lawrence got into the act in WHAT MAKES SAMMY RUN?, where he sang
"I Got A New Pair Of Shoes" while Fred Astaire sang "Got A Bran' New Suit" in
THE BANDWAGON, although it was cut from the final film due to time constraints.

Kristin Chenoweth in her Tony Award-winning role of
Sally in the Broadway production of YOU'RE A GOOD MAN CHARLIE BROWN
Source:
TalkinBroadway.com |
Jason Robert Brown wrote of "A Brand New You" in the recent show 13 and wrote
a whole bunch of SONGS FOR A NEW WORLD a few years back. In THE WIZ we learned
of "A BRAND NEW DAY", thanks to composer/lyricist Charlie Smalls while Andrew
Lippa shared "My New Philosophy" in the Broadway production of YOU'RE A GOOD MAN
CHARLIE BROWN.
The ubiquitous HIGH SCHOOL MUSICAL (part one) has a tune called "Start of
Something New" while songs about New Year's Day are found in such varied shows
as SIDE SHOW, RENT, DANCE A LITTLE CLOSER, and of course, HAPPY NEW YEAR.
But of all the songs I researched for this column, the one that stood out was
from a show that is far from my favorite, but this Leslie Bricusse lyric is
perfect for this new time of change and transition. . So we'll close this month
with a lyric from Frank Wildhorn's score to JEKYLL & HYDE, as sung by prostitute
Lucy just before she's done in by the nasty half of the title duo… Our closing
song… "A New Life"…

Linda Eder as Lucy in JEKYLL & HYDE
Source:
sacnews.net |
A New Life -
What I wouldn't give
To have a new life!
One thing I have learned
As I go through life:
Nothing is for free
Along the way!
A new start -
That's the thing I need,
To give me new heart -
Half a chance in life
To find a new part,
Just a simple role
That I can play.
A new hope -
Something to convince me
To renew hope!
A new day,
Bright enough
To help me find my way!
A new chance -
One that maybe has
A touch of romance.
Where can it be,
The chance for me?
A new dream -
I have one I know
That very few dream!
I would like to see
That overdue dream -
Even though
It never may come true!
A new love -
Though I know there's no
Such thing as true love -
Even so,
Although I never knew love,
Still I feel that
One dream is my due!
A new world -
This one thing I want
To ask of you, world -
Once! - Before it's time
To say adieu, world!
One sweet chance to
Prove the cynics wrong!
A new life -
More and more, I'm sure,
As I go through life,
Just to play the game -,
And to pursue life -
Just to share its pleasures,
And belong! -
That's what I've been here for,
All along!
Each day's
A brand new life!
Next update to this page: Sunday, February 1, 2009